Colonial Inheritance and Contemporary Struggles In the Continuity exhibition held at The National Gallery of Jamaica, Phillip Thomas’ Jamaican Marriage, circa 1975, 2024, and Monique Gilpin’s Venus Figurines, 2020, stand as powerful compliments to one another. Each addressing the complexities of identity in contemporary Jamaica. Thomas’ sculpture, a meticulously curated glass shelf of everyday household objects critically engages with themes […]